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Identitate i comparatism From Dublin to Baghdad W. Metaphoric Mapping Steliana-M d lina Deaconu. Comunicare i varia ie discursiv Augumentarea valen elor modelului formalist din perspectiva paradigmei postmoderne Marcel Bâlici, Nadejda Bâlici, Maria Pruteanu.

Alina Gioroceanu Une analyse de l implicite socioculturel des messages publicitaires Alice Ionescu Genres discursifs des textes authentiques Loredana Ionic. Excesiv definit, identitatea a fost conceptualizat în manier relativist i contradictorie. Psihologia social contemporan a promovat atât interac ionismul simbolic orientat spre proces Goffman ; Paskoy ; Burke and Stetscât i modelele de rol organizate ierarhic McCall and Simmons ; Connell ; Stephens ; Bianco Au fost identificate patru categorii ale acestei no iuni: identitate personal, social, colectiv i de rol, c rora li se adaug subcategoriile: identitate cultural, rasial, religioas, de gen, de grup etc.

Pentru majoritatea savan ilor i a scriitorilor, identitatea nu este stabil, omogen i independent, ci se constituie mai degrab dintr-un set de caracteristici hibride, interconectate în timp i spa iu. Diversele moduri de a fi sunt contextuale i dependente cultural o surs prodigioas pentru cercetarea comparatist Parpal and Loveday Comunitatea global a modificat semantica rolurilor individuale i colective, accentuându-le ambiguitatea i dramatismul.

Pe scena social, performarea identit ii transcende limitele rigide ale eului privat sau public în favoarea unei identit i inclusive. Interculturalitatea genereaz persoana multicultural Adler un fel de a fi situat dincolo de identitatea cultural, bazat pe universalitatea condi iei umane, pe diversitatea formelor culturale, pe stabilitatea valorilor i pe integrare.

Sensul stabil al identit ii carteziene, în eleas ca invarian a fi acela ia fost subminat de principiul dialogismului elaborat de M. În antropologia sa filosofic, savantul rus a introdus diferen a în definirea identit ii, prin afirma ia c sinele nu este niciodat coincident fort pre giroud switzerland anti aging sine 48 sau c eu m realizez ini ial prin al ii [ ] De la ei primesc cuvintele, formele i tonalit ile pentru formarea ideii ini iale de eu însumi Bakhtin În consecin, pentru filosofia modern identitatea nu constituie modul prim ar de a fi, întrucât principiul identit ii coincide cu principiul alterit ii Skulj 3.

În sens restrâns, identitatea cultural este un aspect al personalit ii individuale, un simbol fundamental al unei persoane Adler Un intertext deschis i unic Skulj 2permeabil la influen ele i la schimburile interculturale. Paradigma dialogic a adus o modificare semnificativ a cadrului de referin al culturii în general, al literaturii în particular; dimensiunea planetar a dep it perspectiva hegemonic a eurocentrismului i a impus reevaluarea culturilor periferice în expresia lor lingvistic na ional.

Literatura comparat e interesat azi de rena terea genuin a unei discipline cu scop i impact global Damrosh Aspect expresiv al unei limbi, literatura exploateaz modificarea identit ii sub presiunea contactelor exterioare i a revizuirilor fort pre giroud switzerland anti aging interioare: dilemele, crizele, narcisismul din care rezult caractere autentice, divizate ori negative.

Literatura fortific i fic ionalizeaz identitatea în modalit i subtile, dramatizându-i fixitatea ori fluiditatea, puritatea sau hibriditatea, deconstruc ia, interconectarea.

Primul autor va menþiona ºi adresa, numãrul de telefon ºi -ul unde poate fi contactat. Articolele se trimit pe format electronic dischetã sau CD ROM preferabilînsoþite ºi de articolul complet listat în douã exemplare, dactilografiat la douã rânduri cu caractere Times New Roman ºi fonturi de mãrimea Autorul are obligaþia de a-ºi revizui lucrarea, redacþia nefãcând corecturi de formã sau gramaticã, iar lucrãrile cu greºeli nefiind acceptate. Lucrãrile publicabile trebuie sã îndeplineascã toate criteriile unui articol ºtiinþific: introducere, ipotezã de lucru, material ºi metodã, discuþii, concluzii, bibliografie. Referinþele bibliografice se vor cuprinde în text, între paranteze.

Binomul identitate alteritate joac un rol esen ial în art, ca i în interac iunile simbolice. Identitatea lingvistic este implicit în teoriile enun rii, în stilistica i în pragmatica uzului lingvistic, în umor, ironie, în strategiile reprezent rii. Ca performare, identitatea este comunicat prin intermediul codurilor care spun i care arat.

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Cadrul interdisciplinar i intercultural pe care-l propun autorii acestui volum acoper identit i actualizate în forme de comunicare diverse, modelate de contexte culturale i pragmatice.

Cele 51 de articole 19 în român, 18 în englez, 14 în francez sunt structurate în trei p r i intercomunicabile: prima, Identitate i comparatism, con ine 17 studii de caz subsumabile imagologiei comparate; a doua parte con ine 14 contribu ii referitoare la Construc ia literar a identit ii; mai pu in focalizat, partea a treia 20 de articoleComunicare i varia ie discursiv, se subsumeaz tipologiei discursului, în ideea c deconstruc ia i reconstruc ia c ilor de a comunica modific felul nostru de a fi.

În pofida polifoniei fort pre giroud switzerland anti aging i metodologice, apertura cultural a acestui volum incitant eviden iaz centralitatea varia iei identitare.

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Brislin, Honolulu, University Press of Hawaii. Bakhtin, M. Ann Arbor, Ardis. Austin, University of Texas Press.

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Quartz, December, accesat 31 martie Burke, Peter J. Connell, Raewyn W. McCall, George J. Parpal, Emilia and Leo Loveday eds. Paskoy, Hassan B. How Governed, who Pays? Revista interdisciplinar.

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Stephens, John J. I will consider the huge impact of the translation of The Arabian Nights into English upon the development of the British fiction, and the great appeal of all things Oriental literature, philosophy, and science to the English thought.

The main body of my essay is devoted to W. Yeats interest in Oriental literature and philosophy, as seen in his longer poem, The Gift of Harun Al-Rashid published in on the background of the Irish Orientalism during the Irish Revival. The theoretical framework is provided by Edward W. Said s Orientalism in which the Orient is seen as an integral part of European material civilization and culture Said 2.

Introduction: the discovery of Scheherazade In Baghdad, down Abu Nuwas Street, on the banks of the Tigris River, there is a statuary group showing Scheherazade and the tyrannical Shah who was listening to her stories.

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The two statues survived the Iraq Iran War, and the American invasion including missiles and gun-fighting and, even if Abu Nuwas Street is no longer such a favourite choice of visitors to Baghdad, the statues remind passers-by of the glorious past of the city and the flourishing it met during the reign of the almost legendary Harun Al-Rashid. Said added a painful and heart-felt comment on the drama of Iraq a comment which, unfortunately, is still relevant to the present-day situation, and concludes: Without a well-organized sense that these people over there were not like us and didn t appreciate our values the very core of traditional Orientalist dogma as I describe its creation and circulation in this book there would have been no war Said xv.

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Scheherazade made her triumphant entrance in Europe more than three centuries ago when, inAntoine Galland, a French Orientalist and antiquarian, started the publication of his translation of Les Mille et Une Nuits, subsequently re-translated in other 14 14 European languages, and known in England as The Arabian Nights, or One Thousand and One Nights.

It was a tremendous overnight success, and it added to the numerous elements that, over the centuries, shaped the European identity so well delineated by Paul Hazard in his La Fort pre giroud switzerland fort pre giroud switzerland anti aging aging de la conscience européene : When Scheherazade began to recount her stories of the night, to unfold the infinite wealth of an imagination enriched with all the dreams of Araby of Syria and the great Levant: when she began to tell of the manners and customs of the peoples of the East, their religious ceremonies, their domestic habits, the details of their dazzling and colourful existence; when she showed how mankind could be held and enthralled, not by abstruse intellectual ideas, not by recondite reasoning, but by the charm of colours and the lure of fairy tales, all Europe was fain to listen Hazard This cultural event brought to the attention of the world the personality of Harun al- Rashid, the fifth Abbasid Caliph who ruled from toduring the peak of the Islamic Golden Age, marked by scientific, cultural, and religious prosperity, and a significant flourishing of Islamic art and music.

He was the founder of Bayt al-hikma, the legendary library in Baghdad, which became a flourishing center of knowledge, culture and trade. The theory of Orientalism Such a re-discovery and re-appraisal of the lore and cultural traditions of the Eastern world was only a step towards a long process which gave rise to such movements as the Irish Orientalism advocated by the Irish Revival.

Reprezent ri ale identit ii în spa iul literar, lingvistic i cultural

This interest in the Orient or the East is thus part of the colonial discourse of the end of the eighteenth century onwards. According to Edward Said, the dominant knowledge and discourse or tradition from the end of the eighteenth century onwards about the Orient was a prejudiced and misrepresenting one.

The Orient as a concept was created by Western Europe. Many of the countries that belonged to the Orient are now commonly referred to as the Middle East.

Byron s case is very interesting, in that Greece is not considered to be part of the Middle East now, but in the nineteenth century it did belong to the East because it was part of the Ottoman Empire.

In their essay devoted to Orientalism, Carol A. Breckenridge and Peter van der Veer advance the idea that Said s points of departure were two bodies of literature: One pertained to the place of Asia particularly India in the historical construction of the European imaginaire.

The other, more critical literature called attention to the politics and ideology of orientalist projects, emphasizing their relations with the colonial expansion Breckenridge and van der Veer 1. Orientalism, according to Edward W. Said, is a semi-mythical construct of the East by the West, the origins of which should be found in the late eighteenth century.

Orientalism provides the Westerner a superior ontological status Said just as Kipling s White Man: Now, this is the road that the White Men tread When they go to clean a land 15 15 Iron underfoot and the vine overhead And the deep on either hand. We have trod that road and a wet and windy road Our chosen star for guide. Oh, well for the world when the White Men tread Their highway side by side! Kipling, A Song of the White Men, To put it in a nutshell, the Orientals are thus subject to the binary oppositions the West manipulates the power with: West vs.

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East; Powerful vs. Powerless; Feminine vs.

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Masculine; Irrational vs. Rational; Depraved vs.

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Virtuous; Childlike vs. Mature; Different vs. For hundreds of years the West has been devising threats to Oriental history, character and destiny: The eccentricities of Oriental life, with its odd calendars, its exotic spatial configurations, its hopelessly strange languages, its seemingly perverse morality, were reduced considerably when they appeared as a series of detailed items presented in a normative European prose style Said But according to Lynne Bongiovanni the most attractive feature of Orientalism is that in this contrary sketch of the Orient whatever positive the European underscores is also a type of subjugation because here also they are using oriental history and traits to serve their own interests Bongiovanni Thus, as a cultural apparatus Orientalism forms a system of truths Said and emphasizes Kipling s words: Oh, East is East and West is West, and never the twain shall meet, Till Fort pre giroud switzerland anti aging and Sky stand presently at God s great Judgment Seat; But there is neither East nor West, Border, nor Breed, nor Birth, When two strong men stand face to face, though they come from the ends of the earth!